If you've been following this project, I'm happy to say that I can finally declare it complete! A short recap: after three tries at getting the right combination of featherweight fabric, proper colour (whiteness), transparency and drape, I finally received the four metres of angelic silk voile I'd purchased from a supplier in Ontario to make my apron and fichu (neckerchief) for my re-creation of Lady Mary Howe's gown in the portrait by Gainsborough. And the two pieces are done! The fichu was simple enough: I hand-hemmed all the edges and then pinned and slip-stitched a lace edging all around, trying to mimic what I could see of Lady Howe's fichu in the portrait. What I liked about this extremely sheer silk was that the pretty ruching on the stomacher could still just be seen under it, a very nice effect! The apron took a little more time and thought. This silk voile was so sheer and so delicate that I feared that an attempt to hand-embroider it (which would require stretching it in an embroidery hoop) would prove beyond even my reasonably good embroidering skills. So I looked for an alternative, and found it in a length of very old vintage lace with floral motifs delicate enough and of the right size to enable me to hand-appliqué them onto the sheer fabric. This ended up being more fun than I'd expected. I'm reasonably happy with the result. To read on, please click "Read More", below right
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AuthorPatricia Preston ('The Fashion Archaeologist'), Linguist, historian, translator, pattern-maker, former museum professional, and lover of all things costume history. Categories
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Timeline
March 2024
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